home  |  upcoming  |  subscribe  |  contact us  |  venues  |  recommended  |  gig archive

DOUBLE BILL: Amanda Pearcy (USA) & Barbara Nesbitt (USA)
Plus Support
Sun 3 July 2016
The Maze 12 Adv


Barbara Nesbitt, a Georgia native, has found her home in music. Her life is reflected in the songs she writes which are about the ways, large and small, we abandon and seek that elusive safety of home.

In late 2005, Nesbitt followed her heart to San Diego where, before long, she entered and won the San Diego Music Scene Cream of the Crop singer/songwriter competition and was nominated for best female singer.. Inspired by her new surroundings and everything that came before, Nesbitt wrote the words and music for her debut album, “A Million Stories.” she was also nominated for a San Diego Music Award in the Best Americana category in 2008.

Her second album, The Bees, was released in January, 2011. It was produced by Jeff Berkley, and features Mike Spurgat, Bill Coomes, Marcia Claire, Doug Pettibone, and Dennis Caplinger. She relocated to Austin Texas in the same year and has quickly become a fixture in the world renowned music scene there. She helped form the band, The Whiskey Sisters, who have recorded, toured internationally and seen much success, buzz and press and has placed in the Austin Music Awards in the top 10 acoustic guitar players, top 3 singers, and top 3 songwriters.

Her third solo album, Almost Home, was released in August 2013. Currently, she is dividing her time between The Whiskey Sisters, Tim Flannery & The Lunatic Fringe, and her ‘solo’ project simply called Barbara Nesbitt. She has shared the stage / opened for artists such as Bonnie Raitt, Lyle Lovett, Robert Earl Keene, Hootie & The Blowfish, Nickel Creek, Willie Nelson and more.


“Texas-born and raised Amanda Pearcy produces music as wide and varied as the Lone Star State. …she travels down a wide-ranging Americana highway with touches of blues, a little country, gospel, Tex-Mex and a whole lot besides…

Amanda Pearcy’s music is rooted in in her hardscrabble history, authentically grounded in her earthy, soulful voice. Testifying to her southeast Texas upbringing, with the region’s multicultural mix, its Gulf of Mexico coastline, and its shared border with Louisiana’s Acadiana, Pearcy’s songs carry a sense, and the sensuality, of the South, weaving themes of home and its loss; love, both surrendered to, and longed for; the ties that bind old friends; and our human experience’s collective memory.

Her chart topping 2015 release and third album with producer Tim Lorsch, An Offering, continues the journey where her critically acclaimed Royal Street left off, the timeless sound rolling with the heat waves off an asphalt highway, and quenching the thirst of a steamy summer evening. Bobbie Gentry’s “Ode to Billie Joe” fits hand in hand with the 11 original compositions, Pearcy’s own lyrics shining a light on the dark places of struggle prior to surrendering to life’s tougher lessons, with a faith in the insight that comes with getting to the other side of them. She puts flesh on the familiar bones of Southern gothic — and makes them sound like lived experience, only described by a sharp observer with a store of original images. The songs all have a retro blues feel to them...Janis Joplin-esque and R&B upbeat tracks cut against soulful, melodic songs. Amanda Pearcy's real-life experience and honest portrayal is conveyed in each and every song.


Plus Support Appelwood Road (USA)
Mon 18 July 2016
30 Adv

This show is at THE NOTTINGHAM PLAYHOUSE, Wellington Circus, Nottingham, NG1 5AF. Tel: 0115 9419419

Five-time Grammy Award-winning singer-songwriter and Nashville Songwriters Hall of Fame inductee Mary Chapin Carpenter hits the road in 2016, performing timeless hits from her expansive and beloved 14-album catalog and new songs from her upcoming record The Things That We Are Made Of.

Produced by 2016 Producer of the Year Grammy-nominee Dave Cobb (Jason Isbell, Chris Stapleton), the album features eleven new songs written by Carpenter, including the lead track “Something Tamed Something Wild,” which can be heard at Rolling Stone, who praises: “...Something Tamed Something Wild’ and indeed the entire new album finds the songwriter at her most thoughtful and also at times sweetly whimsical, perfectly capturing the buoyant spirit of her early successes and also serving as a reminder that she remains one of the most grounded, sentient songwriters of her generation.”

Over the course of her acclaimed career, Carpenter has recorded 14 albums and sold over 14 million records. With hits like ”Passionate Kisses” and “He Thinks He’ll Keep Her,” she has won five Grammy Awards (with 15 nominations), two CMA awards, two Academy of Country Music awards for her vocals and is a member of the Nashville Songwriters Hall of Fame. Most recently, in 2014, Carpenter released her acclaimed debut orchestral album, Songs From The Movie. Arranged and co-produced by six-time Grammy winner Vince Mendoza, the record is comprised of ten previously recorded compositions including “Between Here and Gone” and “Come On Come On.” Since it’s release, Carpenter has performed alongside the New York Philharmonic, the BBC Scottish Symphony Orchestra, the London Concert Orchestra, the L.A. Philharmonic and the National Symphony Orchestra among many others.


Plus Support The Most Ugly Child
Tue 19 July 2016
The Social 14 Adv

This show is at the Bodega Social, 23 Pelham St, Nottingham NG1 2ED.

“These guys are a hillbilly blues throwback ensemble, though, and no amount of refinement can really push them off their mark. Peyton’s voice still croaks, shouts, and roars, and his unique, kinetic slide guitar playing, whether it’s a ’30s National guitar, a cigar-box guitar, a Gibson flattop 1929 L2, or an Airline Map electric guitar, still drives and churns like a runaway train.” – Allmusic

The Rev. Peyton’s Big Damn Band bridges genres and eras with an intensity and effortlessness few contemporary artists possess. And their new album ‘So Delicious’ elevates the trio’s work to a new level. Produced by Rev. Peyton, ‘So Delicious’ offers the band’s most diverse collection of songs buoyed by the Rev.’s supercharged six-string virtuosity — a unique style of finger picking inspired by his Delta blues heroes, but taken to new, original heights.

The fifth full-length original album by the group — which includes Breezy Peyton on washboard and supporting vocals and Ben Bussell on drums and supporting vocals — is their debut on Yazoo Records, a label known for the historic reissues of blues and other old time American music that are the bedrock inspiration for the Rev.’s sound and approach.

The Rev. Peyton’s Big Damn Band has always been strong on authenticity, playing music that blends blues, ragtime, folk, country and other traditional styles with the sleek modern energy of do-it-yourself, homespun, punk fueled rock. And performing tunes plucked from their lives, their community or from the canonical songbook that fed the Rev. Peyton’s formative creative identity. It’s a mix that’s allowed the band to win fans from all corners of the Americana and rock worlds, and bring a new generation to blues and other forms of American roots music.


Plus Support
Sun 24 July 2016
The Maze 10 Adv

"Chuck really deserves to sit at the same table with Townes, Guy, Butch and all the other great Texan songwriters..."

If 21 years in the U.S marines is what is necessary to gain the ability to write songs of this quality then everyone should sign up. This is Chuck's debut album and came about due to a chance airport meeting with Ray Bonneville to whom we should be eternally grateful!

The eleven songs on this album are quite stunning in subject matter, as well as being built on hugely appealing melodies, with the sound being sparse and Chuck's warm vocals quite distinctive. Overall we can fit him comfortably into whatever genre we choose to put artists such as John Prine and Kris Kristofferson into, without, on the evidence of this album, Chuck being overshadowed.

Ray Bonneville produced the album and they had help from artists of the quality of Eliza Gilkyson and Gurf Morlix; that pair alone being sufficient to pique anyone's interest. This is a terrific recording that drags the emotions all over the place, always gaining sympathy for the songs subject and there will be few, if any, better debut albums released this year.

Named one of the "Best Country Albums of 2015" The Telegraph, U.K.


Plus Support Sophia Marshall
Thu 1 September 2016
The Maze 12 Adv

"Bruntnell has a remarkable knack for turning out big, dreamy, melodic, memorable songs" - MOJO

If you ask the likes of Peter Buck, Scott Mccaughey, Willy Vlautin, Jay Farrar, John Murry or Kathleen Edwards they’ll all agree that Peter Bruntnell is a writer with rare and mysterious qualities. It’s interesting that American musicians are so seduced by such a uniquely British artist, and Peter has toured extensively with Son Volt, Kathleen Edwards and Richmond Fontaine at the request of the artists.

In 1999 Peter signed to Slowriver/ Rykodisc and released Normal For Bridgwater, a record that was to be his biggest commercial success to date which won him wider acclaim in North America. Upon hearing the album, Kathleen Edwards told her producer when recording her debut Failer, “I want to make an album like this”. Peter struck up a friendship with Son Volt, which resulted in them touring together. It also saw the introduction to Peter’s band of 17 year-old James Walbourne. As well as playing with Peter, James is now half of the duo Rails with his wife Kami Thompson.

Around this time NME claimed that “Peter Bruntnell’s records should be taught in schools”, they were referring to the particular appeal of the quiet Devonian’s songwriting craft. This new record returns emphatically to the earliest days of Bruntnell’s career, a full-on electric psych-rock experience.

Recorded between February and June 2015 and self-produced by Peter, Nos Da Comrade (which means “Good Night Comrade” in Welsh) was recorded in Bruntnell’s home studio in deepest Devon, and in the village hall in the idyllic village of Mortehoe, where the band simply set up and blasted out the tunes. Peter Bruntnell has a unique ‘way with a tune’ like no other contemporary artists. The most interesting thing about his music, and part of the reason for his devoted following, is the indefinable knack the songs have of locking into one’s emotions in an elusive, intangible but deeply affecting way.

"One of the finest songwriters in Britain" The Independent.


The basics will tell you that Sophia is from Leicester, 30 years old and sings, writes songs and plays the guitar. So where did it all come from? Sophia spent the past few years as one-half of acclaimed band The Havenots (Cooking Vinyl Records). Sophia has played hundred’s of gigs across three continents from the tiniest dives to the grandest theatres.

She’s played prestigious festivals like Summer Sundae in the UK and South by South West (SXSW) in the USA. She sang Emmylou’s parts on a Gram Parson’s tribute gig sharing a stage with Evan Dando and earning the praise of Gram’s daughter Polly. She’s toured the land sharing stages with class acts like the Be Good Tanya’s, The Sadies and Tift Merrit and more recently with Frazey Ford on her UK tour as both the opening act and as part of Frazey’s band on backing vocals.

And now Sophia’s ready to do it all again as she launches herself into a solo career. She has handful of beautiful songs from the heartbreaking to the hopeful. She has a voice that can make you cry and she intends to get out there and play her music to whoever will listen.


ANDREW COMBS (USA) + Secial Guest Barna Howard (USA)
Plus Support Barna Howard (USA)
Mon 5 September 2016
The Maze 12 Adv

Nashville songwriter Andrew Combs will return to the UK this fall for an intimate acoustic tour, after appearing with his band at The O2 Arena in London earlier this year as part of the Country To Country Festival. Combs made a strong impression at the C2C festival, which also featured Eric Church, Kacey Musgraves and Chris Stapleton, and aired on BBC Radio 2 with Bob Harris. “Easing in to the mid-afternoon set with the breezy, Foolin’ And, Please, Please, Please, Combs heart-on-sleeve brand of country was met with total admiration” wrote The Line of Best Fit in their concert review.

Combs previously appeared twice at Dorset’s End of the Road Festival, and has toured the UK with his band and in support of fellow Nashville songwriter Caitlin Rose. He recently joined Eric Church and Justin Townes Earle for extensive European tours.

Combs released his sophomore album, All These Dreams, on Loose Music in 2015. The critically acclaimed album landed on numerous best-of lists, including The Guardians 10 Best Country Albums, Rough Trades Albums of the Year and Rolling Stone’s 40 Best Country Albums, among others.

Combs recently hinted to The Tennessean about beginning work on his next album. “The idea is that I want to make a late’ 60s folk record,” Combs said, “not a lot of drums and still some strings. But I want us to limit ourselves with what we put on top of a track. I don’t want any song to have like four electric guitars. If there’s electric guitar, there’s an electric guitar, and that’s it. I want to strip it down a bit.

“I wanted a big, full-sounding record for ‘All These Dreams ’ and that’s what I got. Now I wanna do something different. I don’t ever want to make the same record twice”. The follow-up to All These Dreams is due out via Loose Music in 2017.


Barna’s self-titled debut chronicled these moves as he struggled with the contrast between his small town upbringing and these big city wanderings. The album was met with critical acclaim and underground success, partly thanks to an opportunely placed song in the hit indie film, Drinking Buddies. One critic even likened him to some “lost genius of the 60’s.”

The songs on Barna Howard’s second album, Quite A Feelin’, ruminate on his relationship with home. Now entrenched in Portland, Oregon, many of the album’s tracks immortalize and reflect on the Eureka he once knew, while others folk music, but Barna’s knack for capturing his own deeply personal nostalgia resonates in a rarely universal way.


MADISON VIOLET (CANADA) + Support. (Birmingham Show)
Plus Support
Thu 15 September 2016
14 Adv

THIS SHOW IS AT THE GEE CLUB BIRMINGHAM, The Arcadian, Hurst Street, Birmingham, B5 4TD. Doors open 7.45pm. Tickets from www.glee.co.uk/music/birmingham/

Madison Violet are an award winning, multi-instrumentalist duo from Toronto, Canada. Brenley MacEachern and Lisa MacIsaac have recently released their newest album ‘Year Of The Horse’, which is a slight departure from their rootsy/Americana sound. Influenced by pop, dance and folk, the duo have managed to blur the lines of musical genres seamlessly with their new batch of infectious songs and win over crowds from North America to Australia with their song-writing prowess and stunning harmonies.

With 5 albums under their belt, numerous awards including Vocal Group of the Year at the CFMAs and the International John Lennon Songwriting Award, Brenley and Lisa have proven once again, that they’re among Canada’s brightest songwriters.

"Madison Violet has suddenly appeared like a ray of sunshine on a rainy day." - No Depression


Plus Support
Thu 22 September 2016
The Maze 16 Adv

A welcome return to The Maze for Willie Nile and his amazing USA band!

The New York Times called Buffalo, NY born Willie Nile "one of the most gifted singer-songwriters to emerge from the New York scene in years." Uncut Magazine called him “A one-man Clash.” His album Streets Of New York was hailed as “a platter for the ages” by UNCUT magazine. Rolling Stone listed The Innocent Ones as one of the “Top Ten Best Under-The-Radar Albums of 2011” and BBC Radio called it “THE rock ‘n’ roll album of the year.” His single from that album, “One Guitar,” was the “Top Pick of the Week” in USA Today.

His album, American Ride, won “Best Rock Album of the Year” at the Independent Music Awards. It appeared on dozens of year-end Top Ten lists for 2013 and was voted “Album Of The Year” at Twangville Magazine. Bono called it, “One of the great guides to unraveling the mystery that is the troubled beauty of America. In November 2014 he released a new album of piano-based songs, If I Was A River, to universal critical acclaim. “One of the most brilliant singer-songwriters of the past thirty years” said The New Yorker. Uncut called him “the unofficial poet laureate of New York City.”

Willie has toured across the U.S. with The Who and has sung with Bruce Springsteen and The E Street Band. As the induction program from the Buffalo Music Hall of Fame says: “His live performances are legendary.”

Willie's new album, World War Willie, continues to break new ground. Released in early 2016, the new album is receiving widespread acclaim and many critics rate it Willie's best yet. The album features Willies regular touring band Johnny Pisano, Matt Hogan and Alex Alexander and together they make one of the most dynamic, passionate and hard hitting live bands in the world today.


OTIS GIBBS (USA) + Support
Plus Support
Wed 12 October 2016
The Maze 12 Adv

“With a low tolerance for bullshit and a guiding principle of maintaining his artistic integrity no matter what, Gibbs’ songwriting is deeply personal and profound. It’s plain to see Otis Gibbs is a man you should give a damn about. ” –Rolling Stone

Raised in Wannamaker, Indiana, folksinger and songwriter Otis Gibbs' raspy vocals and sharp lyrics have had him compared to Steve Earle, Bob Dylan, and early Tom Waits, but his socially conscious writing style also puts him in a line that reaches back to Woody Guthrie and Peter Seeger.

His introduction to performing came when he was four years old and was being babysat by his uncle, who had recently been released from prison and had a drinking problem. The uncle would take Gibbs to a local bar with an upright piano and sit Gibbs up on it, where the child would sing Jimmie Rodgers and Hank Williams songs to the room. When bar patrons tipped him, Gibbs' uncle would take the money and buy more drinks, a practice that Gibbs would later wryly note was his introduction to how the music business really works.

Fiercely independent, Gibbs has self-released seven albums, beginning with 2002's 49th and Melancholy, and following it with 2003's Once I Dreamed of Christmas, 2004's One Day Our Whispers, 2008's Grandpa Walked a Picketline, 2010's Joe Hill's Ashes, 2012's Harder Than Hammered Hell, and 2014's Souvenirs of a Misspent Youth. Utterly unique, yet clearly in a delightfully stubborn American line of literate, politically and socially conscious folk artists, Gibbs deserves a much wider audience for his clear, simple, and cleverly crafted blue-collar songs.

“Souvenirs of a Misspent Youth has been a constant companion on my headphones over the past few weeks.” –Billy Bragg


Plus Support Peter Bruntnell
Thu 20 October 2016
The Maze 17.5 Adv

26th March 2004 Richmond Fontaine took to the stage for the first time at the Maze. Some 12 years later it looks like they have decided it’s time to call it a day, and a sad day indeed. One of the pioneers of ‘Alt Country’ as it was tagged back then, Richmond Fontaine will be remembered as one of the best and most pioneering bands of the genre. In addition they are a fine bunch of genuine, honest and hard working people we have had the pleasure to work with and lucky to have had the great fortune to bring them to the Maze.

Richmond Fontaine | YOU CAN’T GO BACK IF THERE’S NOTHING TO GO BACK TO is the tenth studio album by the kings of literate rock, Richmond Fontaine, their first in five years. Richmond Fontaine’s songwriter, Willy Vlautin says of the album “This record was written for all the guys we know who have hit the wall, are about to hit the wall, or are in the middle of slamming into it, It’s a record about paying the price for the way one’s lived. All of us in RF are at the age where the bill starts coming due for the decisions we’ve made along the way.

Recorded and produced in Portland, Oregon by John Askew at Flora Studios, YOU CAN’T GO BACK features the stalwart line-up of Sean Oldham on drums, Dan Eccles on guitar, and Paul Brainard on pedal steel. Freddy Trujillo joins on bass for his first recording with RF, and long-time friend Jenny Conlee (The Decemberists) plays keyboards with former bassist Dave Harding contributing some guitar after a move to Europe. While the atmosphere is familiar the songwriting is Vlautin’s strongest to date matching his lyrics in depth.

“The idea for the record started with the song Whitey and Me. It’s the story of two cowboy brothers who get their horses sold out from under them by a wayward uncle. They run into the uncle years later, only to find a wrecked man. Even though the brothers hold a lot of animosity towards the uncle they realize there’s no point in kicking someone who’s spent his whole life kicking himself. I’d just written the tune and not much later I was driving around central Nevada, and in the middle of nowhere I came across an old, blind Mustang. As I watched and worried about the horse, I studied his scars and thought about all the hard times he must have had. And now he was left alone to die. After that trip the songs just sorta spilled out. The characters in Wake up Ray, I Got off the Bus, Don’t Skip Out on Me, and Tapped Out in Tulsa are all like that horse: beat up, with nothing but hard miles behind them.” YOU CAN’T GO BACK IF THERE’S NOTHING TO GO BACK TO is the band at its best. From the epic A Night in the City to the pared-down, acoustic Three Brothers Roll into Town, to Dan Eccle’s inspired guitar work on Don’t Skip Out on Me, RF again has produced a wealth of beautifully executed story songs, the ilk of which is rarely matched in today’s musical landscape.

Richmond Fontaine rose to fame in 2004 off the back of their 5th album Post To Wire which went on to sell over 20,000 copies and earned them Album of the Month in UNCUT again happening the following year with The Fitzgerald. The press snowballed with those and the following three albums which saw the band playing Green Man, Primavera, End of the Road Festivals while building a loyal following over the last 11 years.


Plus Support
Mon 14 November 2016
10 Adv

This show is at the Bodga Social Club, Nottingham. 23 Pelham St, Nottingham NG1 2ED Tel: 0115 950 www.bodeganottingham.com/

“Texas singer/songwriter Sarah Jaffe has done a lot of growing up since her debut album, Suburban Nature. She has experimented more musically ... moving beyond straight-ahead guitar folk and into new jazz and electronic-inflected directions. The raspy and hauntingly beautiful vocals her fans value haven't gone anywhere—but everything surrounding them is bolder and richer than before.” — Interview Magazine

For 30-year-old singer-songwriter Sarah Jaffe, Don’t Disconnect, produced by Midlake’s McKenzie Smith, her 3rd album, is both a mission statement and a call to arms -- an album about getting to know yourself in a hyper-connected world that makes it nearly impossible to do just that.

Her debut EP Even Born Again was self-released in 2008, Jaffe’s endearingly stark narratives have gone from homespun folk-pop songs in the lineage of Lucinda Williams to decidedly cathartic blues-pop ballads that rest at the intersection of indie, folk, and electronic -- without losing any of the thoughtfulness or intimacy.

Part of Jaffe’s charm comes from that fact that she writes all of her lyrics herself: after wowing crowds at Austin City Limits in the late 2000’s, she earned local recognition through the Dallas Observer Music Awards and signed a deal with Kirtland Records in 2010. Her Kirtland debut Suburban Nature followed exposing the artist to an international audience who found solace in the album’s confessional, literary aesthetic without forsaking, as one reviewer put it, “the decidedly punky force behind the quiet façade.” The record’s hit single, “Clementine” (19 million you tube hits) captured a similarly beautiful sentiment about living, freedom, and the wonder of being young. In 2011, she released, which was touted as an EP that included a DVD of her performance at Wyly Theatre in Dallas that February. This release included a cover of a Drake song: "Shut it Down". It was with this release that she started moving away from an acoustic folk sound to a more orchestral indie rock sound, but it was only a hint at what was to come.

By the time The Body Wins arrived in 2012, the pace of Jaffe’s music had shifted but the delicacy had not: the record’s instrumentation veered more towards electro-pop, but the troubadour storytelling and heartfelt lyricism was every bit as cerebral. The follow-up to The Body Wins, Don’t Disconnect continues to showcase Jaffe’s range.